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1860.] to go away and study Art. Then he came home occasionally, and always saw us; but I generally contrived, on such occasions, to do some frightful thing that shocked every nerve he had, and he avoided me instinctively as he would an electric torpedo; but—do you believe?—I never had an idea of such a thing, till, when sailing from the South, so changed, I remembered things, and felt intuitively how it must have been. Shortly after I went away, he visited Europe. I had been at home a year, and now we heard he had returned; so for two years he hadn't seen me. He had written a great deal to Lu,—brotherly letters they were, —he is so peculiar,—determining not to give her the least intimation of what he felt, if he did feel anything, till he was able to say all. And now he had earned for himself a certain fame, a promise of greater; his works sold; and if he pleased, he could marry. I merely presume this might have been his thought; he never told me. A certain fame! But that's nothing to what he will have. How can be paint gray, faint, half-alive things now? He must abound in color,—be rich, exhaustless: wild sea-sketches,—sunrise,—sunset,—mountain mists rolling in turbid crimson masses, breaking in a milky spray of vapor round lofty peaks, and letting out lonely glimpses of a melancholy moon,—South American splendors,—pomps of fruit and blossom,—all this affluence of his future life must flash from his pencils now. Not that he will paint again directly. Do you suppose it possible that I should be given him merely for a phase of wealth and light and color, and then taken,—taken, in some dreadful way, to teach him the necessary and inevitable result of such extravagant luxuriance? It makes me shiver.

It was that very noon when papa brought in the amber, that he came for the first time since his return from Europe. He hadn't met Lu before. I ran, because I was in my morning wrapper. Don't you see it there, that cream-colored, undyed silk, with the dear palms and ferns swimming all over it? And all my hair was just flung into a little black net that Lu had made me; we both had run down as we were when we heard papa. I scampered ; but he saw only Lu, and grasped her hands. Then, of course, I stopped on the baluster to look. They didn't say anything, only seemed to be reading up for the two years in each other's eyes; but Lu dropped her kid box, and as he stooped to pick it up, he held it, and then took out the ring, looked at her and smiled, and put it on his own finger. The one she had always worn was no more a mystery. He has such little hands! they don't seem made for anything but slender crayons and watercolors, as if oils would weigh them down with the pigment; but there is a nervy strength about them that could almost bend an ash.

Papa's breezy voice blew through the room next minute, welcoming him; and then he told Lu to put up her jewels, and order luncheon, at which, of course, the other wanted to see the jewels nearer; and I couldn't stand that, but slipped down and walked right in, lifting my amber, and saying, " Oh, but this is what you must look at!"

He turned, somewhat slowly, with such a lovely indifference, and let his eyes idly drop on me. He didn't look at the amber at all; he didn't look at me; I seemed to fill his gaze without any action from him, for he stood quiet and passive; my voice, too, seemed to wrap him in a dream,—only an instant; though then I had reached him.

"You've not forgotten Yone," said papa, "who went persimmon and came apricot?"

"I've not forgotten Yone," answered he, as if half asleep. "But who is this?"

"Who is this?" echoed papa. "Why, this is my great West Indian magnolia, my Cleopatra in light colors, my"

"Hush, you silly man!"

"This is she," putting his hands on my shoulders,—"Miss Giorgione Willoughby."

By this time he had found his manners.