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1858.] on occasions where Carlyle would put into the same words his whole scowling and scornful strength. He frequently mistakes sympathy with suffering for insight into its causes, and an eloquent statement of what he thinks desirable for an interpretation of what really is. He has bright glimpses of truth, but they are due rather to the freedom of his thinking than to its depth; and in the hurry and impatient pressure of his impulses, he does not discriminate between his ideas and his whims. He seems to be in a state of insurrection against the limitations of his creed, his profession, and his own mind, and the impression conveyed by his best passages is of splendid incompleteness. It would be ungracious to notice these defects in a writer who possesses so many excellences, were it not that he forces them upon the attention, and in their expression is unjust to other thinkers. His intellectual conceit finds its vent in intellectual sauciness, and is all the worse from appearing to have its source in conceit of conscience and benevolence.

In spite of these faults, however, Mr. Kingsley's reputation is not greater than he deserves. He is one of the most sincere; truthful, and courageous of writers, has no reserves or concealments, and pours out his feelings and opinions exactly as they lie in his own heart and brain. We at least feel assured that he has no imperfections which he does not express, and that there is no disagreement between the book and the man. He is commonly on the right side in the social and political movements of the day, if he does not always give the right reasons for his position. His love, both of Nature and human nature, is intense and deep, and this gives a cordiality, freshness, and frankness to his writings which more than compensate for their defects.

The present volume of his miscellanies contains not only his essays and reviews, but his four lectures on "Alexandria and her Schools," and his "Loose Thoughts for Loose Thinkers." Of the essays, those on "North Devon" and "My Winter Garden" are the best specimens of his descriptive power, and those on "Raleigh" and "England from Wolsey to Elizabeth," of his talents and accomplishments as a thinker on historical subjects. The literary papers on "Tennyson," "Burns," "The Poetry of Sacred and Literary Art," and "Hours with the Mystics," are full of striking and suggestive, if somewhat perverse, thought. The volume, as a whole, is read with mingled feelings of vexation and pleasure; but whether provoked or delighted, we are always interested both in the author and his themes.

the matter of this brilliant volume is of intrinsic interest, its charm is due more to the mode of description than even to the things described. It gives us Russia from a Bohemian point of view. The characteristics of Mr. Sala are keen observation, vivid description, lively wit, indomitable assurance, and incapacity of being surprised. To his resolute belief in himself, in what he sees with his own eyes and conceives with his own brain, the book owes much of its raciness, its confident, decisive, "knowing" tone, its independence of the judgments of others, and its freedom from all the deceptions which proceed from such emotions as wonder and admiration. The volume is read with a pleasure similar to that we experience in listening to the animated talk of an acquaintance fresh from novel scenes of foreign travel, who reproduces his whole experience in recalling his adventures, and gives us not merely incidents and pictures, but his own feelings of delight and self-elation.

The three introductory chapters, describing the journey to St. Petersburg, are perhaps the most brilliant portions of the book. The delineations of his fellow-passengers, in the voyage from Stettin to Cronstadt, especially the portraits of the swearing Captain Smith and the accomplished Hussian noble, are admirable equally for their humor and their sagacity. The account of the landing at Cronstadt, the scenes at the Custom-House, the author's first walk in St. Petersburg, and his first drive in a droschky, are masterpieces of familiar narration, and fairly convert the readers of his hook into companions of his journey. The description of the manners and customs of the Russian people, the