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666 door of the Château Desperiers. Hospitality was called upon in those days not so often, perhaps, as benevolence; and for its charity the château had a reputation far and wide; the expectation of the poor perished only in fruition there.

Into the library of this ancient mansion Elizabeth Montier was ushered by the old gray servant. There she might wait the return of his mistress; at what hour the return should be anticipated he could not undertake to say. His counsel to the stranger was, that she had better return at a later hour; but when Elizabeth said it was impossible, that she had come from a great distance to see the lady of the place, and must await her return there, he led her without further parley to the library, and left her.

And from its lofty windows, at her leisure, she might now look down upon the prospect Prisoner Manuel had described. When she crossed the threshold of that room, she knew where she was; left alone, she looked around her. There he once had stood; there he had parted from Madeline Desperiers; from that last interview he had gone forth to long captivity! She stood by the lofty, narrow windows, to see what he had seen when standing before them,—that town the ancient Desperiers laid out for his tenants in the ancient days,—the church, the pond, the park,—the garden, so vast, and so astonishing for beauty, the gazer scarce believed her eyes. And she remembered beds of flowers under a prison-wall, and who that day looked on them.

He had said that the mistress of this grand domain was a soldier's daughter. He had said that she was a grand lady. A soldier's daughter had come here to hold an interview with her! A drummer's daughter, a girl from out the barracks and the prison of Foray, was here!—A strange light, so strange that it seemed not natural, broke from these reflections of Elizabeth, and illuminated the library. It fell on the great bookcases that were filled from floor to ceiling with books which cost a fortune, on the great easy-chairs black with age, on picture and on bust, on the old writing-stand, the more modern centre-table piled with newspapers and pamphlets, on the curious clock that told the hours with a "silverey voice." It fell, too, on a portrait that did not often greet the gaze even of such as found access into that room,—a portrait of him for whose sake she was here, having compassed land and sea.

When she first saw the picture, she was sitting in one of the chairs beside the table,—her eyes had taken cognizance of everything but that,—and of that became aware so strangely that she could not at first persuade herself of the nature of the mystery that took such hold of her and possessed her so wholly. A proud and glorious vision, it rose up before her, emerging from the shadows of the alcove where it stood. This was not Manuel, not the wan prisoner of Foray,—but her heart needed none to tell her it was the hero who had loved the lady of this château in the splendor of his manhood. She saw it, and saw nothing more,—the prescience of her soul was satisfied. As he was, she beheld him now;—was it safe for her to sit there gazing at that likeness?

The old servant, who now and then walked up and down the hall, perceiving that the stranger was sitting quiet, with her eyes generally in one direction, was satisfied that she should prove so patient with this long delay in his mistress's return. He knew not what occupied her eyes or thoughts,—fancied, may-be, that she was numbering the books of the library, or engaged in some equally diverting occupation.

At last came Madeline.

Learning from the servant in the hall that a young person waited her return, and had waited half the day, with a patience that was evidently proof against time, the lady proceeded at once to the library.

Elizabeth, who heard the arrival, and the approach, arose and stood, waiting the meeting. In her hand she held a paper scroll, the drawing of Foray, which