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1858.] "Protagoras," the "Phaedrus," the "Timaeus," the "Republic," and the "Apology of Socrates." 5. Plutarch cannot be spared from the smallest library: first, because he is so readable, which is much; then, that he is medicinal and invigorating. The Lives of Cimon, Lycurgus, Alexander, Demosthenes, Phocion, Marcellus and the rest, are what history has of best. But this book has taken care of itself, and the opinion of the world is expressed in the innumerable cheap editions, which make it as accessible as a newspaper. But Plutarch's "Morals" is less known, and seldom reprinted. Yet such a reader as I am writing to can as ill spare it as the "Lives." He will read in it the essays "On the Daemon of Socrates," "On Isis and Osiris," "On Progress in Virtue," "On Garrulity," "On Love," and thank anew the art of printing, and the cheerful domain of ancient thinking. Plutarch charms by the facility of his associations; so that it signifies little where you open his book, you find yourself at the Olympian tables. His memory is like the Isthmian Games, where all that was excellent in Greece was assembled, and you are stimulated and recruited by lyric verses, by philosophic sentiments, by the forms and behavior of heroes, by the worship of the gods, and by the passing of fillets, parsley and laurel wreaths, chariots, armor, sacred cups, and utensils of sacrifice. An inestimable trilogy of ancient social pictures are the three "Banquets" respectively of Plato, Xenophon, and Plutarch. Plutarch's has the least claim to historical accuracy; but the meeting of the Seven Wise Masters is a charming portraiture of ancient manners and discourse, and is as dear as the voice of a fife, and entertaining as a French novel. Xenophon's delineation of Athenian manners is an accessory to Plato, and supplies traits of Socrates; whilst Plato's has merits of every kind,—being a repertory of the wisdom of the ancients on the subject of love,—a picture of a feast of wits, not less descriptive than Aristophanes,—and, lastly, containing that ironical eulogy of Socrates which is the source from which all the portraits of that head current in Europe have been drawn.

Of course, a certain outline should be obtained of Greek history, in which the important moments and persons can be rightly set down; but the shortest is the best, and, if one lacks stomach for Mr. Grote's voluminous annals, the old slight and popular summary of Goldsmith or Gillies will serve. The valuable part is the age of Pericles, and the next generation. And here we must read the "Clouds" of Aristophanes, and what more of that master we gain appetite for, to learn our way in the streets of Athens, and to know the tyranny of Aristophanes, requiring more genius and sometimes not less cruelty than belonged to the official commanders. Aristophanes is now very accessible, with much valuable commentary, through the labors of Mitchell and Cartwright. An excellent popular book is J. A. St. John's "Ancient Greece"; the "Life and Letters" of Niebuhr, even more than his Lectures, furnish leading views; and Winckelmann, a Greek born out of due time, has become essential to an intimate knowledge of the Attic genius. The secret of the recent histories in German and in English is the discovery, owed first to Wolff, and later to Boeckh, that the sincere Greek history of that period must be drawn from Demosthenes, specially from the business orations, and from the comic poets.

If we come down a little by natural steps from the master to the disciples, we have, six or seven centuries later, the Platonists,—who also cannot be skipped,—Plotinus, Porphyry, Proclus, Synesius, Jamblichus. Of Jamblichus the Emperor Julian said, "that he was posterior to Plato in time, not in genius." Of Plotinus, we have eulogies by Porphyry and Longinus, and the favor of the Emperor Gallienus,—indicating the respect he inspired among his contemporaries. If any one who had read with interest the "Isis and Osiris" of Plutarch should