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1857.] article which throws much light on the history of English sports, has endeavored to show specifically that he is in name and substance one with the god Woden. The arguments by which these views are supported, though in their present shape very far from convincing, are entitled to a respectful consideration.

The most important of these arguments are those which are based on the peculiar connection between Robin Hood and the month of May. Mr. Wright has justly remarked, that either an express mention of this month, or a vivid description of the season, in the older ballads, shows that the feats of the hero were generally performed during this part of the year. Thus, the adventure of "Robin Hood and the Monk" befell on "a morning of May." "Robin Hood and the Potter" and "Robin Hood and Guy of Gisborne" begin, like "Robin Hood and the Monk," with a description of the season when leaves are long, blossoms are shooting, and the small birds are singing; and this season, though called summer, is at the same time spoken of as May in "Robin Hood and the Monk," which, from the description there given, it needs must be. The liberation of Cloudesly by Adam Bel and Clym of the Clough is also achieved "on a merry morning of May."

Robin Hood is, moreover, intimately associated with the month of May through the games which were celebrated at that time of the year. The history of these games is unfortunately very defective, and hardly extends farther back than the beginning of the sixteenth century. By that time their primitive character seems to have been corrupted, or at least their significance was so far forgotten, that distinct pastimes and ceremonials were capriciously intermixed. At the beginning of the sixteenth century the May sports in vogue were, besides a contest of archery, four pageants,—the Kingham, or election of a Lord and Lady of the May, otherwise called Summer King and Queen, the Morris-Dance, the Hobby-Horse, and the "Robin Hood." Though these pageants were diverse in their origin, they had, at the epoch of which we write, begun to be confounded; and the Morris exhibited a tendency to absorb and blend them all, as, from its character, being a procession interspersed with dancing, it easily might do. We shall hardly find the Morris pure and simple in the English May-game; but from a comparison of the two earliest representations which we have of this sport, the Flemish print given by Douce in his "Illustrations of Shakspeare," and Tollett's celebrated painted window, (described in Johnson and Steevens's Shakspeare,) we may form an idea of what was essential and what adventitious in the English spectacle. The Lady is evidently the central personage in both. She is, we presume, the same as the Queen of May, who is the oldest of all the characters in the May games, and the apparent successor to the Goddess of Spring in the Roman Floralia. In the English Morris she is called simply The Lady, or more frequently Maid Marian, a name which, to our apprehension, means Lady of the May, and nothing more. A fool and a taborer seem also to have been indispensable; but the other dancers had neither names nor peculiar offices, and were unlimited in number. The Morris, then, though it lost in allegorical significance, would gain considerably in spirit and variety by combining with the other shows. Was it not natural, therefore, and in fact inevitable, that the old favorites of