Page:The Atlantic Monthly, Volume 19.djvu/659

 Gifted Hopkins had shown an ear for rhythm, and for the simpler forms of music, from his earliest childhood. He began beating with his heels the accents of the psalm-tunes sung at meeting at a very tender age,—a habit, indeed, of which he had afterwards to correct himself, as, though it shows the same sensibility to rhythmical impulses which is beautifully illustrated when a circle join hands and emphasize by vigorous downward movements the leading syllables in the tune of Auld Lang Syne, yet it is apt to be too expressive when a large number of boots join in the performance. He showed a remarkable talent for playing on one of the less complex musical instruments, too limited in compass to satisfy exacting ears, but affording excellent discipline to those who wish to write in the simpler metrical forms,—the same which summons the hero from his repose and stirs his blood in battle.

By the time he was twelve years old he was struck with the pleasing resemblance of certain vocal sounds which, without being the same, yet had a curious relation which made them agree marvellously well in couples; as eyes with skies; as heart with art, also with part and smart; and so of numerous others, twenty or thirty pairs, perhaps, which number he considerably increased as he grew older, until he may have had fifty or more such pairs at his command.

The union of so extensive a catalogue of words which matched each other, and of an ear so nice that it could tell if there were nine or eleven syllables in an heroic line, instead of the legitimate ten, constituted a rare combination of talents in the opinion of those upon whose judgment he relied. He was naturally led to try his powers in the expression of some just thought or natural sentiment in the shape of verse, that wonderful medium of imparting thought and feeling to his fellow-creatures which a bountiful Providence had made his rare and inestimable endowment.

It was at about this period of his life, that is to say, when he was of the age of thirteen, or we may perhaps say fourteen years, for we do not wish to over- state his precocity, that he experienced a sensation so entirely novel, that, to the best of his belief, it was such as no other young person had ever known, at least in anything like the same degree. This extraordinary emotion was brought on by the sight of Myrtle Hazard, with whom he had never before had any near relations, as they had been to different schools, and Myrtle was too reserved to be very generally known among the young people of his age.

Then it was that he broke forth in his virgin effort, "Lines to M——e," which were published in the village paper, and were claimed by all possible girls but the right one; namely, by two Mary Annes, one Minnie, one Mehitable, and one Marthie, as she saw fit to spell the name borrowed from her who was troubled about many things.

The success of these lines, which were in that form of verse known to the hymn-books as "common metre," was such as to convince the youth that, whatever occupation he might be compelled to follow for a time to obtain a livelihood or to assist his worthy parent, his true destiny was the glorious career of a poet. It was a most pleasing circumstance, that his mother, while she fully recognized the propriety of his being diligent in the prosaic line of business to which circumstances had called him, was yet as much convinced as he himself that he was destined to achieve literary fame. She had read Watts and Select Hymns all through, she said, and she didn't see but what Gifted could make the verses come out jest as slick, and the sound of the rhymes jest as pooty, as Izik Watts or the Selectmen, whoever they was,—she was sure they couldn't be the selectmen of this town, wherever they belonged. It is pleasant to say that the young man, though favored by nature with this rarest of talents, did not forget the humbler duties that Heaven, which dresses few singing-birds in the golden plumes of fortune, had laid upon