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S a man puts on the stoutness and thicksetness of middle life, he begins to find himself contemplating well-filled meat and fish stalls, and piles of lusty garden vegetables, with unfeigned interest and delight. He walks through Quincy Market, for instance, with far more pleasure than through the dewy and moonlit groves which were the scenes of his youthful wooings. Then he was all sentiment and poetry. Now he finds the gratification of the mouth and stomach a chief source of mundane delight. It is said that all the ships on the sea are sailing in the direction of the human mouth. The stomach, with its fierce assimilative power, is a great stimulator of commercial activity. The table of the civilized man, loaded with the products of so many climes, bears witness to this. The demands of the stomach are imperious. Its ukases and decrees must be obeyed, else the whole corporeal commonwealth of man, and the spirit which makes the human organism its vehicle in time and space, are in a state of trouble and insurrection.

A large part of the lower organic world, both animal and vegetable, is ground between man's molars and incisors, and assimilated through the stomach with his body. This may be called the final cause of that part of the lower organic world which is edible. Man is a scientific eater,—a cooking animal. Laughter and speech are not so distinctive traits of him as cookery. Improve his food, and he is improved both physically and mentally. His tissue becomes finer, his skin clearer and brighter, and his hair more glossy and hyacinthine. Cattle-breeders and the improvers of horticulture are indirectly improving their own race by furnishing finer and more healthful materials to be built into man's body. Marble, cedar, rosewood, gold, and gems make a finer edifice than thatch and ordinary timber and stones. So South-Down mutton and Devonian beef fattened on the blue-grass pastures of the West, and the magnificent prize vegetables and rich appetizing fruits, equal to anything grown in the famed gardens of Alcinoüs or the Hesperides, which are displayed at our annual autumnal fairs as evidences of our scientific horticulture and fructiculture, adorn the frame into which they are incorporated by mastication and digestion, as rosewood and marble and cedar and gold adorn a house or temple.

The subject of eating and drinking is a serious one. The stomach is the great motive power of society. It is the true sharpener of human ingenuity, curis acuens mortalia corda. Cookery is the first of arts. Chemistry is a mere subordinate science, whose chief value is that it enables man to impart greater relish and gust to his viands. The greatest poets, such as Homer, Milton, and Scott, treat the subject of eating and drinking with much seriousness, minuteness of detail, and lusciousness of description. Homer's heroes are all good cooks,—swift-footed Achilles, much-enduring Ulysses, and the rest of them. Read Milton's appetizing description of the feast which the Tempter set before the fasting Saviour:—

Our Saviour, lifting up his eyes, beheld

In ample space, under the broadest shade,

A table richly spread in regal mode,

With dishes piled, and meats of noblest sort

And savor: beasts of chase or fowl of game

In pastry built, or from the spit, or boiled,

Gris-amber steamed; all fish from sea or shore,

Freshet or purling brook, of shell or fin,

And exquisitest name, for which was drained

Pontus and Lucrine bay and Afric coast;

And at a stately sideboard, by the wine

That fragrant smell diffused in order stood

Tall stripling youths, rich clad, of fairer hue

Than Ganymed or Hylas."

It is evident that the sublime Milton had a keen relish for a good dinner. Keats's description of that delicious moonlight spread by Porphyro, in the room of his fair Madeline, asleep, on St. Agnes' eve, "in lap of legends old," is another delicate morsel of Apician