Page:The Atlantic Monthly, Volume 17.djvu/26

18 wine for several days, and his small eyes were keener and hungrier than usual. As he rose now and then, impatiently, and sat upon his hind legs, he formed a curious contrast to the Prince's other supporter, the idiot, who sat also in his tow shirt, with a large pewter basin in his hand. It was difficult to say whether the beast was most man or the man most beast. They eyed each other and watched the motions of their lord with equal jealousy; and the dismal whine of the bear found an echo in the drawling, slavering laugh of the idiot. The Prince glanced from one to the other; they put him in a capital humor, which was not lessened as he perceived an expression of envy pass over the face of Prince Paul.

The dinner commenced with a botvinia—something between a soup and a salad—of wonderful composition. It contained cucumbers, cherries, salt fish, melons, bread, salt, pepper, and wine. While it was being served, four huge fishermen, dressed to represent mermen of the Volga, naked to the waist, with hair crowned with reeds, legs finned with silver tissue from the knees downward, and preposterous scaly tails, which dragged helplessly upon the floor, entered the hall, bearing a broad, shallow tank of silver. In the tank flapped and swam four superb sterlets, their ridgy backs rising out of the water like those of alligators. Great applause welcomed this new and classical adaptation of the old custom of showing the living fish, before cooking them, to the guests at the table. The invention was due to Simon Petrovitch, and was (if the truth must be confessed) the result of certain carefully measured supplies of brandy which Prince Boris himself had carried to the imprisoned poet.

After the sterlets had melted away to their backbones, and the roasted geese had shrunk into drumsticks and breastplates, and here and there a guest's ears began to redden with more rapid blood, Prince Alexis judged that the time for diversion had arrived. He first filled up the idiot's basin with fragments of all the dishes within his reach,—fish, stewed fruits, goose-fat, bread, boiled cabbage, and beer,—the idiot grinning with delight all the while, and singing, "Ne uyesjaï, golubchik moi," (Don't go away, my little pigeon,) between the handfuls which he crammed into his mouth. The guests roared with laughter, especially when a juggler or Calmuck stole out from under the gallery, and pretended to have designs upon the basin. Mishka, the bear, had also been well fed, and greedily drank ripe old Malaga from the golden dish. But, alas! he would not dance. Sitting up on his hind legs, with his fore paws hanging before him, he cast a drunken, languishing eye upon the company, lolled out his tongue, and whined with an almost human voice. The domestics, secretly incited by the Grand Marshal, exhausted their ingenuity in coaxing him, but in vain. Finally, one of them took a goblet of wine in one hand, and, embracing Mishka with the other, began to waltz. The bear stretched out his paw and clumsily followed the movements, whirling round and round after the enticing goblet. The orchestra struck up, and the spectacle, though not exactly what Prince Alexis wished, was comical enough to divert the company immensely.

But the close of the performance was not upon the programme. The impatient bear, getting no nearer his goblet, hugged the man violently with the other paw, striking his claws through the thin shirt. The dance-measure was lost; the legs of the two tangled, and they fell to the floor, the bear undermost. With a growl of rage and disappointment, he brought his teeth together through the man's arm, and it might have fared badly with the latter, had not the goblet been refilled by some one and held to the animal's nose. Then, releasing his hold, he sat up again, drank another bottle, and staggered out of the hall.

Now the health of Prince Alexis was drunk,—by the guests on the floor of the hall in Champagne, by those in the galleries in kislischi and hydromel. The orchestra played; a choir of serfs sang an ode by Simon Petrovitch, in which the departure of Prince Boris was