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1864.] gently sometimes because of his dulness, he was preparing for that which was not hoped. Celerity enough when he had come to a decision, but no sign or token till he had come to that.

The first exercise of his imagination trusted to the inspection of others was in behalf of Columbia Dexter, with intent to moderate her grief over a dead kitten which they buried in the sand under the sycamore-tree, the procession carrying banners furled and decorated with badges of mourning. Silas made a monument then and there in the high noon of a halcyon day: carved on a pine board which had served for a bier was the face of Tabby, surrounded with devices intended to represent the duration of her virtues. His work consoled Columbia, and inspired him to a more ambitious enterprise, namely, the carving of the same in a block of gypsum, which work of art Dexter obtaining sight of declared that it would have done credit to an artist, and set it on his mantel-shelf between two precious household cards lettered in gilt as follows "Union is Strength," and "Principles, not Men."

I suppose no children ever led a happier life,—the special joy of childhood being in sport, and food, and liberty, and the love of those who own them. They basked in the sun; they were busy with sport, fretted by no cares; kind words directed them. They lived in the midst of illusions, like princes, or fairies, or spirits,—like children. They followed about with processions, training in the rear of every train-band, keeping time with the march of the happy Sunday-schools, when they had their celebrations. Young Silas could be trusted with the care of Columbia, and hand in hand, like brother and sister, they went. Especially were they proud, if the procession carried one of Dexter's flags. Silas, no doubt, had suggested a point of the device, or Columbia had worked a corner.

When Dexter would go on board ship, or to some lodge, with the flags which had been ordered of him, in anticipation of voyages and processions, the children often accompanied him. I see them walking shyly in the rear, and looking up to the father of the little girl with the reverence he deserved. By-and-by would they grow wise and feel ashamed of this? Will you see the fair Columbia, whom the captain pats so kindly on the head, smiling broadly when he hears her name, will you see her, a woman grown, attending her father on such errands? And if you see her not, will the reason be such as proves her worthy to be old Dexter's daughter? Will you hear her saying to her friends, as now, "Guess who worked those flowers," while the target-shooters march past, carrying their blue silk banner, royal with red roses? She and Silas often run panting in the wake of great processions; they would not for the world miss seeing the wide, fluttering folds of the Stars and Stripes, or it might be the conquering St. George, or the transparencies they were all so busy over a day or two ago. Their speed will soon abate, and why?

Human beings are not children forever. Maturity must not manifest itself as childhood does. Ah, but "Principles, not Men"! Is any truth involved in that beyond what Silas recognizes in his trade? Is there another reason which shall have power to make Columbia some day stand coolly on the sidewalk, while her heart is beating fast,—which shall induce her to point out the mottoes on the banners, and the various devices, to another, without trembling in the voice or tears in the eye? If ever she shall glide along the streets, she whose early race-course was Salt Lane, if ever like a lady she shall walk there, will it be at the price of forgetfulness of all this humble sport and joy,—as a sustainer of feeble "social fictions," and a violator of the great covenant?

To the boy and girl it was not a question whether all their lives these relations should continue, and this play go on; but even to them, as children, a question that seriously concerned them, and in whose discussion they bore serious part, arose.