Page:The Art of Bookbinding, Zaehnsdorf, 1890.djvu/108



edge is the most elegant of all modes of ornamenting edges, and this branch of bookbinding has from time to time been so greatly extended, that at the present day there are many ways in which a book may have the edges gilt; but some methods are not pursued, either from ignorance on the binder's part, or with a view to save expense.

First we have the "plain gilt," then "gilt in the round"; then again some colour under the gold, for instance, "gilt on red," or whatever the colour may be, red being mostly used, especially for religious books. Some edges are "tooled," and some have a gilt edge with landscape or scene appropriate to the book painted on the edge, only to be seen when the book is opened. "Marbling under gilt" may also be used with good effect; but still better "marbling on gilt."

The room where gilt edge work is done should be neither dirty nor draughty, and the necessary materials are:—

1st. The Gold Cushion.—This may be purchased ready for use, or if the binder wishes to make one, it may be done by covering a piece of wood, about 12 inches by 6, with a piece of white calf, the rough side outwards, and padding it with blotting paper and cloth. The pieces underneath should be cut a little smaller than the upper one, so that it will form a bevel at the edge, but quite flat on the top. The calf to be neatly nailed all round the edge. If the pile of the leather is too rough, it can be reduced with a piece of pumice stone, by rubbing the stone on the calf with a circular motion.