Page:The American language; an inquiry into the development of English in the United States (IA americanlanguage00menc 0).pdf/93

 Jefferson to the Presidency in 1800. The issue in the campaign was a highly complex one, but under it lay a plain conflict between democratic independence and the European doctrine of dependence and authority; and with the Alien and Sedition Laws about his neck, so vividly reminiscent of the issues of the Revolution itself, Adams went down to defeat. Jefferson was violently anti-British and pro-French; he saw all the schemes of his political opponents, indeed, as English plots; he was the man who introduced the bugaboo into American politics. His first acts after his inauguration were to abolish all ceremonial at the court of the republic, and to abandon spoken discourses to Congress for written messages. That ceremonial, which grew up under Washington, was an imitation, he believed, of the formality of the abhorrent Court of St. James; as for the speeches to Congress, they were palpably modelled upon the speeches from the throne of the English kings. Both reforms met with wide approval; the exactions of the English, particularly on the high seas, were beginning to break up the British party. But confidence in the solidarity and security of the new nation was still anything but universal. The surviving doubts, indeed, were strong enough to delay the ratification of the Twelfth Amendment to the Constitution, providing for more direct elections of President and Vice-President, until the end of 1804, and even then three of the five New England states rejected it, and have never ratified it, in fact, to this day. Democracy was still experimental, doubtful, full of gun-powder. In so far as it had actually come into being, it had come as a boon conferred from above. Jefferson, its protagonist, was the hero of the populace, but he was not of the populace himself, nor did he ever quite trust it.

It was reserved for Andrew Jackson, a man genuinely of the people, to lead and visualize the rise of the lower orders. Jackson, in his way, was the archetype of the new American—ignorant, pushful, impatient of restraint and precedent, an iconoclast, a Philis-