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 as a 'poet, natural philosopher, and historian; who left no species of writing untouched, or unadorned by his pen, whether to move laughter, or draw tears. He was a powerful master over the affections, though, at the same time, a gentle tyrant; of a genius at once sublime, lively, and equal to every subject: in expression at once noble, pure, and delicate.'

The character of Goldsmith was in the highest degree good-natured and benevolent; he was every one's friend, and any one's dupe; retaining, as he did, amid all his worldly experience, his natural simplicity and philanthropy of heart. But he was not truly estimable; for he was, with all his good qualities, improvident, dissipated, and meanly jealous of a literary rival. He was also, at times, impetuous and passionate; but corrected himself upon a moment's reflection; and it is said his servants would throw themselves in his way upon these occasions, as they were certain of being rewarded after the anger of their master had subsided. Mrs. Piozzi describes him as a poor fretful creature, eaten up with affectation and envy, and the only person she ever knew who acknowledged himself to be envious. It is known that he used his pen better than his tongue; and the same lady calls his conversation a strange mixture of absurdity and silliness. Some one who saw him for the first time in company, declared he was 'the most solemn coxcomb he had ever met with;' and the phrase of 'inspired idiot' is well known as applied to him. As an author he is to be considered in the character of a poet, historical compiler, novelist, essayist, and dramatist; in all of which he has been so far successful, as to leave some work in these respective departments of literature, alone sufficient to perpetuate his reputation. It is as a poet, however, that he will be chiefly esteemed; The Traveler, The Deserted Village, and The Hermit, are unrivaled in their class; and, though Dr. Aikin has placed them at the head of the minor compositions, will always retain their original popularity. His literary qualifications cannot be better described than in the words of Dr. Johnson, who calls him 'a man of such variety of powers, and such felicity of performance, that he always seemed to do best that which he was doing: a man, who had the art of being minute, without tediousness; and general, without confusion; whose language was copious, without exuberance; exact, without constraint; and easy, without weakness.' Johnson was always ready to testify to the merits of Goldsmith; and being, one day, of a party at Sir Joshua Reynolds', where several affirmed that the author of The Traveler had neither talent nor originality, he rose with great dignity, looked them full in the face, and exclaimed, 'If nobody was suffered to abuse poor Goldy but those who could write as well, he would have few censors.'

Many anecdotes are told of his credulous simplicity, and indiscriminate benevolence. Sitting, one evening, at the tavern where he was accustomed to take his supper, he called for a mutton chop, which was no sooner placed on the table, than a gentleman near him, with whom he was intimately acquainted, showed great tokens of uneasiness, and wondered how the doctor could suffer the waiter to place such a stinking chop before him. 'Stinking!' said Goldsmith, 'in good truth I do not smell it.' 'I never smelled anything more unpleasant in my life,' answered the gentleman; 'the fellow deserves a caning for bringing you meat unfit to eat.' 'In good troth,' said the poet, relying on his judgment, 'I think so too; but I will be less severe in my punishment.' He instantly called the waiter,