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 and, as if from an effort to get the better of his feelings, threw more violence, Rushton thought, in his blows than was his habit; but, at last,—the struggle seeming too much for him,—he flung away the gloves, and retired to his room.'

A few months after the death of his mother, a correspondence took place between himself and Mr. Moore, the poet, of whose duel with Mr. Jeffrey, Byron had given a ludicrous, but untrue, account in his English Bards. After several letters of an explanatory, rather than hostile, nature, had passed on both sides, and in which each exhibited a manly and forbearing spirit, they became mutual friends, and remained so ever afterwards. On the 27th of February, 1812, Lord Byron made his first speech in the house of lords, on the subject of the Nottingham Frame-*breaking Bill, and appears to have pleased both himself and his hearers. Mr. Dallas, who met him coming out of the house, says, that he was greatly elated; and, after repeating some of the compliments which had been paid him, concluded by saying, 'that he had, by his speech, given the best advertisement for Childe Harold's Pilgrimage,' which was two days afterwards published. The effect upon the public, as his biographer observes, was electric; as he has himself said, in his memoranda, 'he awoke one morning, and found himself famous.' The first edition of his work was disposed of instantly; 'Childe Harold,' and 'Lord Byron,' were the theme of every tongue; the most eminent literati of the day, including many whom he had attacked in his satire, left their names at his door; upon his table lay the epistolary tribute of the statesman and philosopher, the billet of some incognita, or the pressing note of some fair leader of fashion; and, in fine, 'he found himself among the illustrious crowds of high life, the most distinguished object.' The sum of £600 which he received for the copyright of the poem, he presented to Mr. Dallas; observing, 'he would never receive money for his writings;' a resolution which he subsequently abandoned. Among other results of the fame he had acquired by his Childe Harold, was his introduction to the prince regent, which took place at a ball, at the request of his royal highness, whose conversation so fascinated the poet, that had it not been, says Mr. Dallas, for an accidental deferring of the next levee, he bade fair to become a visitor at Carlton House, if not a complete courtier.

In the spring of 1813, he published, anonymously, his poem on waltzing; and as it was not received with the applause he anticipated, did not avow himself to be its author. In the same year, appeared The Giaour, and The Bride of Abydos; the former of which reached a fifth edition in four months. Mr. Murray offered him a thousand guineas for the copyright of the two poems, but he still refused to derive any pecuniary benefit from his writings. In 1814, his Corsair was published; the copyright of which he presented to Mr. Dallas. Fourteen thousand copies of the poem were sold in one day; but the popularity which this and his other works had procured for him, began to be lessened by his verses to the Princess Charlotte, and by a certain peculiarity of conduct which was looked upon as more indecorous than eccentric. Under these circumstances, he was persuaded to marry, and, in consequence, proposed to Miss Milbanke, the daughter of Sir Ralph Milbanke; but was at first met with a polite refusal. He was however, not so much mortified as not to make her a second offer, though he says, in his memoranda, that a friend strongly advised him