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 their quarries obelisks not severed from the rock, but having three of their sides already adorned with hieroglyphics, so certain were they of cutting off the fourth side with precision.' These skilled artificers may be supposed to have acted as foremen and overseers of the great numbers of laborers who were employed in public works such as the Pyramids. In the construction of these works no degree of labor for any length of time seems to have intimidated the Egyptians. The huge blocks of stone, sometimes weighing 1000 tons each, were dragged for hundreds of miles on sledges, and their transport, perhaps, did not occupy less time than a year; in one case which is known, 2000 men were employed three years in bringing a single stone from a quarry to the building in which it was to be placed. Usually, the sledges were drawn by men yoked in rows to separate ropes, all pulling at a ring fixed to the block. Where it was possible, the blocks were brought from the quarries on flat-bottomed boats on the Nile. But the transport of these masses was much more easily accomplished than the placing of them in elevated situations in the buildings They were raised by the power of levers and inclined planes at immense trouble and cost. The waste of human life in these gigantic works must have been enormous. About 120,000 men are said to have perished in the digging of a canal, which was left unfinished, between the Red Sea and an arm of the Nile; and according to Herodotus, the Egyptian priests of his day described the building of the Pyramids as a time of extreme exhaustion and hardship to the whole country.

The religion of the Egyptians seems to have been, in its popular form at least, a mere gross Fetishism, whose principal characteristic was a worship of teeming animal life—the bull, the cat, the ibis, the crocodile, etc.; different animals in different nomes. Whatever profounder meaning lay hid under this gross ceremonial the priest-caste reserved to themselves, as one of the mysteries, the possession of which severed them from the rest of the population. Among these mysteries was the art of writing, which was practised both in the alphabetical and the hieroglyphic form; the latter being used for special purposes. Some vague notion of the immortality of the soul, resembling the Hindoo tenet of transmigration, seems to have pervaded the Egyptian religion; and this belief appears to have lain at the foundation of the Egyptian practice of embalming the dead. The business of embalming was a very dignified one, and was aided by a host of inferior functionaries, who made and painted coffins and other articles which were required. The bodies of the poorer classes were merely dried with salt or natron, and wrapt up in coarse cloths, and deposited in the catacombs. The bodies of the rich and great underwent the most complicated operations, wrapt in bandages dipped in balsam, and laboriously adorned with all kinds of ornaments. Thus prepared they were placed in highly-decorated cases or coffins, and then consigned to sarcophagi in the catacombs or pyramids. Bodies so prepared have been called mummies, either from the Arabian word momia, or the Coptic mum, signifying bitumen or gum-resin.

Although the Egyptians carried on from early times a caravan-commerce with the adjacent countries of Ph[oe]nicia, Palestine, and Arabia, importing such articles as wine, oil, and spices for embalming, yet exclusiveness and self-sufficiency were characteristics of their civilization. There, on the banks of the Nile, these millions lived, changeless in their methods through