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308 find the best of the bunch and joke-smith in Saintsbury; one could scarcely imagine either in Walter Pater. But by the same token one could not imagine chicken (for young girl), aber nit, to come across or to camouflage in Saintsbury.

What slang actually consists of doesn't depend, in truth, upon intrinsic qualities, but upon the surrounding circumstances. It is the user that determines the matter, and particularly the user's habitual way of thinking. If he chooses words carefully, with a full understanding of their meaning and savor, then no word that he uses seriously will belong to slang, but if his speech is made up chiefly of terms poll-parroted, and he has no sense of their shades and limitations, then slang will bulk largely in his vocabulary. In its origin it is nearly always respectable; it is devised not by the stupid populace, but by individuals of wit and ingenuity; as Whitney says, it is a product of an "exuberance of mental activity, and the natural delight of language-making." But when its inventions happen to strike the popular fancy and are adopted by the mob, they are soon worn threadbare and so lose all piquancy and significance, and, in Whitney's words, become "incapable of expressing anything that is real." This is the history of such slang phrases, often interrogative, as "How'd you like to be the ice-man?" "How's your poor feet?" "Merci pour la langouste," "Have a heart," "This is the life," "Where did you get that hat?" "Would you for fifty cents?" "Let her go, Gallegher," "Shoo-fly, don't bother me," "Don't wake him up" and "Let George do it." The last well exhibits the process. It originated in France, as "Laissez faire à Georges," during the fifteenth century, and at the start had satirical reference to the multiform activities of Cardinal Georges d'Amboise, prime minister to Louis XII. It later