Page:The American Language.djvu/173

Rh his beard?) is good Yiddish, ironically intended. Fellow, of course, changes to the American feller, as in "Rosie hat schon a feller" (=Rosie has got a feller, i. e., a sweetheart). Show, in the sense of chance, is used constantly, as in "git ihm a show" (=give him a chance). Bad boy is adopted bodily, as in "er is a bad boy." To shut up is inflected as one word, as in "er hat nit gewolt shutup'n (=he wouldn't shut up). To catch is used in the sense of to obtain, as in "catch'n a gmilath chesed" (=to raise a loan). Here, by the way, gmilath chesed is excellent Biblical Hebrew. To bluff, unchanged in form, takes on the new meaning of to lie: a bluffer is a liar. Scores of American phrases are in constant use, among them, all right, never mind, I bet you, no sir and I'll fix you. It is curious to note that sure Mike, borrowed by the American vulgate from Irish English, has gone over into American Yiddish. Finally, to make an end, here are two complete and characteristic American Yiddish sentences: "Sie wet clean'n die rooms, scrub'n dem floor, wash'n die windows, dress'n dem boy und gehn in butcher-store und in grocery. Dernoch vet sie machen dinner und gehn in street für a walk. American itself, in the Philippines, and to a lesser extent in Porto Rico [sic] and on the Isthmus, has undergone similar changes under the influence of Spanish and the native dialects. Maurice P. Dunlap offers the following specimen of a conversation between two Americans long resident in Manila: "Hola, amigo.

Komusta kayo.

Porque were you hablaing with ese señorita?

She wanted a job as lavandera.

Cuanto?

Ten cents, conant, a piece, so I told her no kerry.

Have you had chow? Well, spera till I sign this chit and I'll take a paseo with you."