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 through the sardonic lips of such a cynical ruffian as Ferdinand or Flamineo, is without exception the cleanliest, as Marston is beyond comparison the coarsest writer of his time. In this as in other matters of possible comparison that 'vessel of deathless wrath,' the implacable and inconsolable poet of sympathy half maddened into rage and aspiration goaded backward to despair—it should be needless to add the name of Cyril Tourneur—stands midway between these two more conspicuous figures of their age. But neither the father and master of poetic pessimists, the splendid and sombre creator of Vindice and his victims, nor any other third whom our admiration may discern among all the greatest of their fellows, can be compared with Webster on terms more nearly equal than those on which Webster stands in relation to the sovereign of them all.