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of the greatest hindrances to the progress of the art of Photography, is the doubtful permanency of its productions. It will become an immense power if we can overcome this objection. Its votaries have learned how to secure beautiful lights and shades; brilliant chemical effects and most artistic and pleasing pictures. Never before has our art shown greater promise of improvement; never before has there been such a thirst for information and thorough training exercised as at present; and yet what a mortification to every earnest photographer to feel that his efforts can produce nothing that will bear him honor and credit longer than a few short years!

With this in view, constantly staring us in the face, is it not strange that the growth of photography has been so great as it has, and its improvement so evident as it is?

It would be so, were it not that one ray of hope has beckoned us on for a number of years back, i.e., the hope that at no distant period we might produce permanent results. That hope is now fully realized in the Carbon