Page:Textile fabrics; a descriptive catalogue of the collection of church-vestments, dresses, silk stuffs, needle-work and tapestries, forming that section of the Museum (IA textilefabricsde00soutrich).pdf/423

 8334.

Piece of Crimson Velvet, spangled with gold and silver stars, and embroidered with leaves and flowers in gold thread, once dotted with precious stones. North Italian, end of the 15th century. 14-1/2 inches by 5-1/4 inches.

The Genoese velvet of this piece is of a very deep ruby tone, deeper than usual; but the way in which it is ornamented should not be passed over by those who wish to learn one among the very effective styles of embroidering. The design consists chiefly of branches gracefully bent in all directions and sprouting out, here and there, with leaves and variously fashioned flowers which, from one example that still holds its tiny round-headed piece of coloured glass set in a silver gilt socket, bore in them mock precious stones, and perhaps seed-pearls. These branches themselves are made of common hempen string, edged on both sides with a thread of gold of a smaller bulk, and the flowers are heightened to good effect by the bright red stitches of the crimson silk with which the gold that forms them is sewed in; and the whole of the design appears to have been worked, first upon a strong canvas, from which it was afterwards cut and appliqué upon its velvet ground. All the space between the boughs is sprinkled rather thickly with six-rayed stars of gold and silver, but the latter ones have turned almost black. This piece was once the apparel for the lower border of an alb.

8335.

Piece of Silk Damask; upon a light blue ground, an elaborate pattern of pomegranates and flowers in pale yellow. Flemish, end of the 16th century. 24-1/2 inches by 21 inches.

Like, in many respects, to another piece of the looms of ancient Bruges, it shows that the Flemings were unfortunate in their mode of dyeing, for this, as well as No. 8332, has faded much in colour, but the pattern is very rich and graceful. This textile is figured by Dr. Bock, in his "History of Liturgical Robes," vol. i.