Page:Territory in Bird Life by Henry Eliot Howard (London, John Murray edition).djvu/197

Rh the air whilst uttering its plaintive wail; the cock Grouse, as if dissatisfied with its "crowing," springs into the air and becomes a conspicuous object of the moor; the wary Redshank, poised on flickering wings, forgets its mournful alarm cry, and finds again its melodious song; and even the secretive Grasshopper-Warbler crawls out of the midst of the thicket in order to "reel," just as, for a similar reason. Savi's Warbler climbs to the top of a tall reed. In fact the males of most species, when they are finally established on the breeding grounds, make themselves as conspicuous as possible by sight and by sound. And since the sounds produced by no two species are exactly alike, the females are able to recognise their prospective mates, and the males that are still in search of ground have ample warning if that upon which they are treading is already occupied. So that you see, from the remarkable development of the vocal powers in the male, there follow two important results—"recognition" and "warning."

We here turn from song as the expression of an instinctive disposition, and the question of what calls forth this expression, to the impression produced by the song on the hearer.

Most birds have a call-note or a number of call-notes, which, generally speaking, are specifically distinct. But to the human ear they are not always so, perhaps because our power of hearing is less sensitive than that of a bird, and unable to appreciate delicate differences of tone. Be this as it may, however, the fact remains that we