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 out the nature of its contents, coming to the conclusion that it was ammunition, but he did not examine it closely until he had carried the dead man's weapons into his hut, where he had also taken the girl, who crouched in a corner, sobbing.

"Poor Carl! Poor Carl!" she moaned, and then to the man facing her: "You beast!"

"Yes," he cried, with a laugh, "I am a beast. I am Tarzan of the Apes, and that dirty Russian dared to call me Esteban. I am Tarzan! I am Tarzan of the Apes!" he repeated in a loud scream. "Who dares call me otherwise dies. I will show them. I will show them," he mumbled.

The girl looked at him with wide and flaming eyes and shuddered.

"Mad," she muttered. "Mad! My God—alone in the jungle with a maniac!" And, in truth, in one respect was Esteban Miranda mad—mad with the madness of the artist who lives the part he plays. And for so long, now, had Esteban Miranda played the part, and so really proficient had he become in his interpretation of the noble character, that he believed himself Tarzan, and in outward appearance he might have deceived the ape-man's best friend. But within that godlike form was the heart of a cur and the soul of a craven.

"He would have stolen Tarzan's mate," muttered Esteban. "Tarzan, Lord of the Jungle! Did you see how I slew him, with a single shaft? You could love a weakling, could you, when you could have the love of the great Tarzan!"