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may tire of looking at a single painting, but you must tire of looking at many. That is why the eyelids grow so heavy in the great galleries, and the seats are as closely packed as an omnibus on Sunday.

Happy he who has resolution enough to select from the great multitude a small number of pictures, to which he can return every day.

In this way you can appropriate—undetected by the custodians—a little private gallery of your own, distributed through the great halls. Everything which does not belong to this private collection sinks into mere canvas and gilding, a decoration you glance at in passing, but which does not fatigue the eye.

It happens now and then that you discover a picture, hitherto overlooked, which now, after thorough examination, is admitted as one of the select few. The assortment thus steadily increases, and it is even conceivable that by systematically following this method you might make a whole picture gallery, in this sense, your private property.