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the passion for books of amusement founded on the marvellous relative to ghosts and spirits may be considered as having very much subsided; yet I cannot but think that the tales which form the bulk of this little volume, may still afford gratification in the perusal. From the period when the late Lord Orford first published The Castle of Otranto, till the production of Mrs. Ratcliffe’s romances, the appetite for the species of reading in question gradually increased; and perhaps it would not have been now surfeited, but for the multitude of contemptible imitations which the popularity of the latter writer called forth, and which continually issued from the press, until the want of readers at length checked the inundation.

The Northern nations have generally discovered more of imagination in this description of writing than their neighbours in the South or West; and in proportion as they have been more the victims of credulity with respect to spirits, they have indulged in the wanderings of fancy on subjects of this kind, and have eagerly employed their invention in forming narrations founded on the supposed communication between the spiritual world and mankind. The productions of Schiller, and others of the modern German literati, of this nature, are well known in England. Rh