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 solemn effect, like that which is produced by the beams of the sun streaming through the storied representation of saints and martyrs on the Gothic window of some ancient cathedral.

He painted the desolation of the church, during the late period of her distresses, in the most affecting colours. He described her, like Hagar watching the waning life of her infant amid the fountainless desert; like Judah, under her palm-tree, mourning for the devastation of her temple; like Rachael, weeping for her children and refusing comfort. But he chiefly rose into rough sublimity when addressing the men yet reeking from battle. He called on them to remember the great things which God had done for them, and to persevere in the career which their victory had opened.

"Your garments are dyed—but not with the juice of the wine-press; your swords are filled with blood," he exclaimed, "but not with the blood of goats or lambs; the