Page:Tales of Three Cities (Boston, James R. Osgood & Co., 1884).djvu/79

Rh magnetism, I suppose I should say, are extraordinary; he fascinates me, in spite of my suspicions. The truth is, that in his way he is an artist, and in my little way I am also one; and the artist in me recognizes the artist in him, and cannot quite resist the temptation to foregather. What is more than this, the artist in him has recognized the artist in me—it is very good of him—and would like to establish a certain freemasonry. "Let us take together the artistic view of life;" that is simply the meaning of his talking so much about my being a woman of the world. That is all very well; but it seems to me there would be a certain baseness in our being artists together at the expense of poor little Eunice. I should like to know some of Mr. Caliph's secrets, but I don't wish to give him any of mine in return for them. Yet I gave him something before he departed; I hardly know what, and hardly know how he extracted it from me. It was a sort of promise that I would after all speak to Eunice,—"as I should like to have you, you know." He remained there for a quarter of an hour after he got up to go; walking about the room with his hands on his hips; talking, arguing, laughing, holding me with his eyes, his admirable face—as natural, as dramatic, and at the same time as diplomatic, as an Italian. I am pretty sure he was trying to produce a certain effect, to entangle, to magnetize me. Strange to say, Mr. Caliph compromises himself, but he does n't compromise his brother. He has a private reason, but his brother has nothing