Page:Tales from the German - Oxenford.djvu/454

 said she, in the softest and most lovely voice; 'thanks to the saints that thou hast recovered, my preserver, my all!' Berthold raised himself,—he fancied he was dreaming, he looked with fixed eyes upon the princess—yes, it was herself—the celestial form which had kindled the divine spark in his breast. 'Is it possible?—Is it true?—Do I live?' he exclaimed. 'Yes,' replied the princess, 'thou livest for me. That which thou didst not venture even to hope, has happened through a miracle. Oh! I know thee well,—thou art the German painter, Berthold, who loved me, and ennobled me in his beautiful works. Was it then possible for me to be thine? But now I am thine for ever—let us fly!' A strange feeling, as when a sudden pain disturbs sweet dreams, darted through Berthold as the princess spoke. But when the lovely woman clasped him with her full, snow-white arms, when he pressed her passionately to his bosom, then did a delicious trembling, hitherto unknown, take possession of him, and in the mad delight of possessing the greatest earthly felicity, he cried: 'Oh, it was no delirious dream! No! it is my wife whom I embrace, and whom I will never leave!'

"Escape from the city was at first impossible, for at the gate stood the French army, whose entrance the people, although badly armed and without leaders, were able to dispute for two days. Berthold, however, succeeded in flying with Angiola from one hiding-place to another, and at last out of the city. Angiola, deeply enamoured of him, could not think of remaining in Italy; she wished her family to consider her dead, that Berthold's possession of her might be secure. A diamond necklace, and some valuable rings which she wore, were sufficient to provide them with all necessaries at Rome—whither they had proceeded by slow degrees—and they arrived happily at M——, in Southern Germany, where Berthold intended to settle, and to support himself by his art. Was it not a state of felicity, not even to be dreamed, that Angiola, that creature of celestial loveliness, that ideal of his most delightful visions, now became his own,—when all social laws had seemed to raise an insurmountable barrier between him and his beloved? Berthold could hardly comprehend his happiness, he was abandoned to inexpressible delight, until the inner voice became louder and louder, urging him to think of his art. He determined to found his fame at M—— by a large picture which he designed for the Maria church there. The whole subject was to be the very simple one of Mary and Elizabeth sitting on the grass in a beautiful garden, with the infant Christ and John playing before them; but all his efforts to obtain a pure spiritual view of his picture proved fruitless. As in that unhappy period of the crisis the forms floated away from him, and it was not the heavenly Mary—no, it was an earthly woman, his Angiola herself, fearfully distorted, that stood before the eyes of his mind. He fancied that he could defy the gloomy power tnat seemed to grasp him, he prepared his colours and began to paint; but his strength was broken, and all his endeavours were as they had been formerly—only