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 alone takes in all the several kinds of variation, and all the degrees of goodness, from the lowest of the indifferent up to the sublime. I can produce evident proofs of this in so easy a gradation, that one cannot deny but that he that did this, might do that, and very probably did so; and thus one may ascend and descend, like the angels on Jacob's ladder, whose foot was upon the earth, but its top reached to Heaven.

“And this great man had his unlucky circumstance: he became mad after the philosopher's stone, and did but very little in painting or drawing afterwards. Judge what that was, and whether there was not an alteration of style from what he had done, before this devil possessed him. His creditors endeavoured to exorcise him, and did him some good, for he set himself to work again in his own way; but if a drawing I have of a Lucretia be that he made for his last picture, as it probably is (Vasari says that was the subject of it) it is an evident proof of his decay; it is good indeed, but it wants much of the delicacy which is commonly seen in his works; and so I always thought before I knew or imagined it to be done in this his ebb of genius.” Page 153.

We have had two artists of our own country, whose fate has been as singular as it was hard: Gandy was a portrait-painter in the beginning