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 to emulate himself, not to equal another. But the artist undertakes to imitate another, or to do what Nature has done, and this it appears is more difficult, viz. to copy what she has set before us in the face of nature or “human face divine,” entire and without a blemish, than to keep up four brass balls at the same instant, for the one is done by the power of human skill and industry, and the other never was nor will be. Upon the whole, therefore, I have more respect for Reynolds than I have for Richer; for, happen how it will, there have been more people in the world who could dance on a rope like the one than who could paint like Sir Joshua. The latter was but a bungler in his profession to the other, it is true; but then be had a harder task-master to obey, whose will was more wayward and obscure, and whose instructions it was more difficult to practise. You can put a child apprentice to a tumbler or rope-dancer with a comfortable prospect of success, if they are but sound of wind and limb; but you cannot do the same thing in painting. The odds are a million to one.