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 measure running over, but never tedious—nunquam sufflaminandus erat. He is one of those writers who can never tire us, not even of himself; and the reason is, he is always “full of matter.” He never runs to lees, never gives us the vapid leavings of himself, is never “weary, stale, and unprofitable,” but always setting out afresh on his journey, clearing away some old nuisance, and turning up new mould. His egotism is delightful, for there is no affectation in it. He does not talk of himself for lack of something to write about, but because some circumstance that has happened to himself is the best possible illustration of the subject, and he is not the man to shrink from giving the best possible illustration of the subject from a squeamish delicacy. He likes both himself and his subject too well. He does not put himself before it, and say—“admire me first”—but places us in the same situation with himself, and makes us see all that he does. There is no blindman's-buff, no conscious hints, no awkward ventriloquism, no testimonies of applause, no abstract, senseless self-complacency, no smuggled admiration of his own person by proxy: it is all plain and above-board. He writes himself plain William Cobbett, strips himself quite as naked as any body would wish—in a word, his