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 has in hand. So if a man can do one thing better than anybody else, the value of this one thing is what he must stand or fall by, and his being able to do a hundred other things merely as well as anybody else, would not alter the sentence or add to his respectability; on the contrary, his being able to do so many other things well would probably interfere with and incumber him in the execution of the only thing that others cannot do as well as he, and so far be a drawback and a disadvantage. More people in fact fail from a multiplicity of talents and pretensions than from an absolute poverty of resources. I have given instances of this elsewhere. Perhaps Shakespear's tragedies would in some respects have been better, if he had never written comedies at all; and in that case, his comedies might well have been spared, though they must have cost us some regret. Racine, it is said, might have rivalled Moliere in comedy; but he gave up the cultivation of his comic talents to devote himself wholly to the tragic Muse. If, as the French tell us, he in consequence attained to the perfection of tragic composition, this was better than writing comedies as well as Moliere and tragedies as well as Crebillon. Yet I count those persons fools who think it a pity Hogarth did not succeed better