Page:Table-Talk, vol. 2 (1822).djvu/339

 succession; an “aiery of children,” embryo actors, artists, poets, or philosophers. Like unfledged birds, they are hatched, nursed, and fed by hand; this gives room for a vast deal of management, meddling, care, and condescending solicitude; but the instant the callow brood are fledged, they are driven from the nest, and forced to shift for themselves in the wide world. One sterling production decides the question between them and their patrons, and from that time they become the property of the public. Thus a succession of importunate, hungry, idle, overweening candidates for fame are encouraged by these fickle keepers, only to be betrayed, and left to starve or beg, or pine in obscurity, while the man of merit and respectability is neglected, discountenanced, and stigmatised, because he will not lend himself as a tool to this system of splendid imposition, or pamper the luxury and weaknesses of the Vulgar Great. When a young artist is too independent to subscribe to the dogmas of his superiors, or fulfils their predictions and prognostics of wonderful contingent talent too soon, so as to get out of leading-strings, and lean on public opinion for partial support, exceptions are taken to his dress, dialect, or manners, and he is expelled the circle with a character for ingratitude