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 knighted for anonymous productions. Lord Byron complains that Horace Walpole was not properly appreciated, “first, because he was a gentleman; and secondly, because he was a nobleman.” His Lordship stands in one, at least, of the predicaments here mentioned, and yet he has had justice, or somewhat more, done him. He towers above his fellows by all the height of the peerage. If the poet lends a grace to the nobleman, the nobleman pays it back to the poet with interest. What a fine addition is ten thousand a year and a title to the flaunting pretensions of a modern rhapsodist! His name so accompanied becomes the mouth well: it is repeated thousands of times, instead of hundreds, because the reader in being familiar with the Poet’s works seems to claim acquaintance with the Lord.

He smiles at the high-flown praise or petty cavils of little men. Does he make a slip in decorum, which Milton declares to be the principal thing? His proud crest and armorial bearings support him:—no bend-sinister slurs his poetical escutcheon! Is he dull, or does he put of some trashy production on the public? It is