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252 my pack-saddle the double-tongued jews-harp I always carry; and, sitting on the floor with my back against the door-post, unbound the instrument from its square stick, and began to play. It is not the highest class of music, I am well aware; and this paragraph is dictated by no shallow impulse of self-glorification. But I never had opportunity to master any more complicated instrument; and even if I had, it would n't be much use, for I know only about three tunes, and these by no means perfectly.

So I played softly and voluptuously, till my scanty repertory was exhausted, and then drifted into a tender capriccio. I noticed Alf move uneasily on his bed; but, knowing the effect of music on my own mind, and remembering Moriarty's and Montgomery's independent panegyrics on the boundary man's skill, I felt put on my mettle, and performed with a power and feeling which surprised myself.

"Do you like music?" asked Alf, at length.

"Like it!" I repeated. "I would give one-fourth of the residue of my life to be a good singer and musician. As it is, I'm not much of a player, and still less of a vocalist; but I'll give you a song if you like. How sweetly everything sounds to-night?" Bee-o-buoy-bee-o-buoy-bee-o-buoy

"Do you like jews-harp music?" interrupted Alf, sitting up on the bed.

"Not if I could play any better instrument—such as the violin, or the concertina; though I should in any case avoid the piano, for fear of flattening the ends of my fingers. Still, the jews-harp is a jews-harp; and this is the very best I could find in the market. Humble as it looks, and humble as it undeniably is, it has sounded in every nook and corner of Riverina. Last time I took it out, it was to give a poor, consumptive old blackfellow a treat, and now, you see, I tune, to please a peasant's ear, the harp a king had loved to bear." Bee-o-buoy-bee-o-buoy-bee-o-bee-o-bee-obuoy

"I'll give you a tune on the violin, if you like," exclaimed my companion, rising to his feet.

"Thank-you, Alf."

I carefully re-packed my simple instrument, while the boundary man took from its case a dusky, dark-brown violin. Then he turned down the lamp till a mere bead of flame showed above the burner, resumed his seat by the table, and, after some preliminary screwing and testing, began to play.

Query: If the relation of moonlight to insanity is a thing to be derided, what shall we say of the influence of music on the normal mind? Is it not equally unaccountable in operation, however indisputable in effect? Contemplate music from a scientific standpoint—that is, merely as a succession of sound-waves, conveyed from the instrument to the ear by pulsations of the atmosphere, or of some other intervening medium. Music is thus reduced to a series of definite vibrations, a certain number of which constitute a note. Each separate note has three distinct properties, or attributes. First, its intensity, or loudness, which is governed by the height, depth, amplitude—for these amount to the same