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 Three years after the Châtiments Victor Hugo published the Contemplations; the book of which he said that if the title did not sound somewhat pretentious it might be called 'the memoirs of a soul' No book had ever in it more infinite and exquisite variety; no concert ever diversified and united such inexhaustible melodies with such unsurpassable harmonies. The note of fatherhood was never touched more tenderly than in the opening verses of gentle counsel, whose cadence is fresher and softer than the lapse of rippling water or the sense of falling dew: the picture of the poet's two little daughters in the twilight garden might defy all painters to translate it: the spirit, force, and fun of the controversial poems, overflowing at once with good humour, with serious thought, and with kindly indignation, give life and charm to the obsolete questions of wrangling schools and pedants; and the last of them, on the divine and creative power of speech, is at once profound and sublime enough to grapple easily and thoroughly with so high and deep a subject. The songs of childish loves and boyish fancies are unequalled by any other poet's known to me for their union of purity and gentleness with a touch of dawning ardour and a hint of shy delight: Lise, La Coccinelle, Vieille chanson du jeune temps, are such sweet miracles of simple perfection as we hardly find except in the old songs of unknown great poets who died and left no name. The twenty- first poem, a lyric idyl of but sixteen lines, has something more than the highest qualities of Theocritus; in colour and in melody it does but equal the Sicilian at his best, but there are two lines at least in it beyond his reach for depth and majesty of beauty. Childhood and Unity, two poems of twelve and