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 by modern civilisation. The story halts in order to give us a full portrait of the state of things in which a semi-barbarous order was confronted with the opposing forces. Scott, in fact, began from a profound interest in the social phenomena (to use a big word) around him. He was full of the legends, the relics of the old customs and ways of thought, but was also a lawyer and a keen politician. His story-telling often represents a subordinate aim. Stevenson just reverses the process. He started as an 'artist,' abnormally sensitive to the qualities of style and literary effect to which Scott was audaciously indifferent. His first interest is in any scene or story which will fit in with his artistic purposes. Life swarmed with themes for romance, as rivers are made to supply canals. The attitude is illustrated by his incursions into politics. He was stirred to wrath by Mr. Gladstone's desertion (as he thought it) of Gordon, and could not afterwards write a letter to the guilty statesman because he would have had to sign himself 'Your fellow-criminal in the sight of God.' He was roused by the boycotting of the Curtin family to such a degree that he could scarcely be withheld from settling on their farm to share their dangers and stir his countrymen to