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 spinning whole webs of argumentation, and becoming an accomplished master of the art of logical fencing. Donne had studied the application of the art to casuistry; had a special familiarity with the Spanish Jesuits of his time; and was steeped in whole masses of scholastic controversy. The training was calculated to produce abnormal skill in dialectics; to sharpen the purely logical perceptions, but also to encourage mere quibbling and ingenious evasions for real solutions of difficulties. Now, the sophistries and tricks of intellectual wrestling correspond exactly to the conceits of the 'metaphysical poets.' A commentator upon Donne's poems would have occasionally to illustrate his author from the schoolmen. Other poets, for example, have compared young women to angels; but to Donne, thoroughly acquainted with the natural history of angels, the comparison suggests new and strange points of resemblance. The schoolmen had taught him by syllogism that angels make temporary bodies out of air; and Donne makes poetical capital of this in the lyric called 'Air and Angels.' So his 'obsequies' to Lord Harrington raise the old problem whether angels in moving from one place to another pass through all the intermediate spaces. In the