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publication of the Browning correspondence naturally calls attention to a troublesome section in the code of literary morality: the section, that is, which deals with the claims of men of genius to posthumous privacy. The authorised version is often taken to be that we should refrain from making public anything which a man would have jealously guarded from publicity in his lifetime. It is easy to denounce the intrusion of the 'many-headed beast' and to speak as though death made no difference in the sanctity of the domestic sphere. Nobody would print his own love-letters while he is alive, and therefore nobody should print them when he has ceased to live. That inference would take us far, and, if it were admitted to be the law, would most certainly have awkward consequences. We may surely be allowed, without offence, to look even into some love-secrets of men and women who can no longer VOL. III.