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 thought which has been trying to get itself uttered for centuries. There are interesting accounts in these volumes of the way in which some of Tennyson's most perfect passages sprang from accidental phrases, 'rolled about' in his mind; but phrases may roll about in some minds for a very long time to very little purpose. Leave a phrase to simmer in your memory; brood over it, let it crystallize into form in your mind, and the feat will be done. It will, that is, if your mind is Tennysonian; but there is the mystery. One trivial example comes home to the Alpine traveller. He has seen and tried for years to tell how he is impressed by his beloved scenery, and annoyed by his own bungling whenever he has tried to get beyond arithmetical statements of hard geographical facts. And then Tennyson, who was never in his life more than 7000 feet above the sea, just glances at the Monte Rosa from the cathedral at Milan, and in a fourline stanza gives the whole spirit of the scene to perfection. It does not seem fair, but if justice supposes an equal distribution of abilities, the world is not remarkable for fairness. Tennyson's superlative skill in this art is too conspicuous and too universally acknowledged to justify more than a passing recognition of an undeniable truth. And,