Page:Studies in Letters and Life (Woodberry, 1890).djvu/305

Rh To come to the question which cannot be honestly set aside, although it is no longer profitable to discuss it, Browning has not cared for that poetic form which bestows perennial charm, or else he was incapable of it. He fails in beauty, in concentration of interest, in economy of language, in selection of the best from the common treasure of experience. In those works where he has been most indifferent, as in the Red Cotton Night-Cap Country, he has been merely whimsical and dull; in those works where the genius he possessed is most felt, as in Saul, A Toccata of Galuppi's, Rabbi Ben Ezra, The Flight of the Duchess, The Bishop Orders his Tomb inat [sic] St. Praxed's Church, Hervé Riel, Cavalier Tunes, Time's Revenges, and many more, he achieves beauty or nobility or fitness of phrase such as only a poet is capable of. It is in these last pieces and their like that his fame lies for the future. It was his lot to be strong as the thinker, the moralist with "the accomplishment of verse," the scholar interested to rebuild the past of experience, the teacher with an explicit dogma to enforce in an intellectual form with examples from life, the anatomist of human passions,