Page:Structure and functions of the body; a hand-book of anatomy and physiology for nurses and others desiring a practical knowledge of the subject (IA structurefunctio00fiskrich).pdf/71

 organ of Corti, a group of specially modified epithelial cells in the cochlea of the membranous labyrinth, which is very important in transmitting the impulses to the brain. The nerve also breaks up into very small branches and is distributed practically throughout the wall of the labyrinth.

The sensation of hearing is the result of impulses transmitted to the auditory nerve and so conveyed to the auditory center in the brain. It is caused by sound waves which travel through the air from their point of origin and enter the external ear. This collects and selects the waves of sound and helps one to a certain extent to determine the direction from which the sound comes. As they pass through the external meatus the sound waves are collected into a comparatively small area for transmission to the middle ear, where, by means of the drum, they set in vibration the chain of ossicles. Through these the vibrations are in turn transmitted to the oval window, being intensified in the process. Here again they are taken up by the perilymph, from which they pass through the wall of the membranous labyrinth to the endolymph, affecting the epithelial lining of the labyrinth in such a way that the impulses are transmitted to the auditory nerve, more particularly in the vestibule, from which the vibrations enter the cochlea. They also affect the cells of the organ of Corti in like manner as they pass from the perilymph to the endolymph. The membrane that covers the fenestra rotunda or round window relaxes and expands as the vibrations strike it, thus serving to eliminate the shock of impact.

Musical sounds are caused by rhythmical or regularly repeated vibrations, while irregular vibrations give rise to noises. In musical sounds loudness is determined by the height or amplitude of the vibrations, pitch by the length of the wave, and quality by the number of so-called partial tones. A sensation of sound cannot be produced by less than 30 vibrations a second