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 in Johnny's formal embrace, that she flirted against him in passing, and I could guess that her eyes were on duty. When they returned to the veranda, Johnny was chipper, the visitor darkly frowning, Mercedes animated, and the other girl still faintly and aloofly smiling.

The fandango went on for an hour; and the rivalry between Johnny and the young Spaniard grew in intensity. Certainly Mercedes did nothing to modify it. The scene became more animated and more interesting. A slow, gliding waltz was danced, and several posturing, stamping dances in which the partners advanced and receded toward and from each other, bending and swaying and holding aloft their arms. It was very pretty and graceful and captivating; and to my unsophisticated mind a trifle suggestive; though that thought was probably the result of my training and the novelty of the sight. It must be remembered that many people see harm in our round dances simply because they have not become sufficiently accustomed to them to realize that the position of the performers is meaninglessly conventional. Similarily the various rather daring postures of some of these Spanish dances probably have become so conventionalized by numberless repetitions along the formal requirements of the dance that their possible significance has been long since forgotten. The apparently deliberate luring of the man by the woman exists solely in the mind of some such alien spectator as myself. I was philosophical enough to say these things to myself; but Johnny was not. He saw Mercedes languishing into the eyes of his rival; half fleeing provocatively, her glances sparkling; bending and swaying her body in allurement;