Page:Stevenson - Weir of Hermiston (1896).djvu/164

 colouring; and he wondered at its beauty; an essential beauty of the old earth it seemed to him, not resident in particulars but breathing to him from the whole. He surprised himself by a sudden impulse to write poetry—he did so sometimes, loose, galloping octo-syllabics in the vein of Scott—and when he had taken his place on a boulder, near some fairy falls and shaded by a whip of a tree that was already radiant with new leaves, it still more surprised him that he should have nothing to write. His heart perhaps beat in time to some vast indwelling rhythm of the universe. By the time he came to a corner of the valley and could see the kirk, he had so lingered by the way that the first psalm was finishing. The nasal psalmody, full of turns and trills and graceless graces, seemed the essential voice of the kirk itself upraised in thanksgiving, 'Everything's alive,' he said; and again cries it aloud, 'thank God, everything's alive!' He lingered yet a while in