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1904.] of the remark that Botticelli, “though one of the worst anatomists, was one of the greatest  draftsmen of the Renaissance.” As an example of false anatomy, you may notice the impossible way in which the Madonna’s head is attached to the neck, and other instances of faulty or incorrect form may be found in Botticelli’s pictures. Yet, in spite of this, he is recognized as one. of the greatest draftsmen, because he gave to “line” not only intrinsic beauty, but also significance — that is to say, his rhythmical and harmonious lines produce



an effect upon our imagination corresponding to the sentiment of grave and tender poetry that filled the artist himself.

This power of making every line count, both in significance and beauty, distinguishes the great master draftsmen of all time.