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 vi in the eighties. The single departure from this principle in the case of William Sidney Porter (&quot;O. Henry&quot;) will require no explanation. I have devoted much attention to the humorous writers of the South because of my belief that, although much of this work was rough and crude, it was nevertheless very influential not only in the development of American humor but also in that of realistic fiction.

Better to fit the book to the needs of students, I have tried to organize the material effectively. The table of contents will show that the arrangement is roughly chronological, with such subdivisions as would bring together writers of the same type of literature. Further aids to students have been given in biographical notes, summaries of literary developments, explanations of unfamiliar matters in the selections, and bibliographies—all being held to the briefest compass.

I have given at appropriate places in the book acknowledgments for permission to reprint such of the selections as were under copyright, but I wish here to record in a general way grateful appreciation of the courtesy extended to me in this matter by authors and by publishers.

M. G. F.

Davidson College, Davidson, N. C.