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 which should there be a pair of stairs or a door or a window. In addition to this it must be imagined that the architect had omitted the roof in order that the wires of the harp above described might be brought into every chamber. The house has then been furnished with picks, shovels, planks, and a few barrels, populated with its black legions, and there it is for you to look at.

At first the bottom of the bowl seems small. You know the size of it as you look,—and that it is nine acres, enough to make a moderate field,—but it looks like no more than a bowl. Gradually it becomes enormously large as your eye dwells for a while on the energetic business going on in one part, and then travels away over an infinity of subdivided claims to the work in some other portion. It seems at last to be growing under you and that soon there will be no limit to the variety of partitions on which you have to look. You will of course be anxious to descend and if you be no better than a man there is nothing to prevent you. Should you be a lady I would advise you to stay where you are. The work of going up and down is hard, everything is dirty, and the place below is not nearly so interesting as it is above. One firm at the mine, Messrs. Baring Gould, Atkins, & Co. have gone to the expense of sinking a perpendicular shaft with a tunnel below from the shaft to the mine,—so as to avoid the use of the aerial tramway; and by Mr. Gould's kindness I descended through his shaft. Nevertheless there was some trouble in getting into the mine and when I was there the labour of clambering about from one chamber to another in that marvellously broken house was considerable