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 would turn sideways together, or clear around, or bend their knees. Just one second’s difference in the movement, either too quick or too late, on the part of the next fellow, might have meant sloughing off a nose or slicing off the head of the next fellow. The drawn swords moved in perfect freedom, but the sphere of action was limited to about two feet square, and to cap it all, each had to keep moving with those in front and back, at right and left, in the same direction at the same speed. This beats me! The dance of the Shiokumi or the Sekinoto would make no show compared with this! I heard them say the dance requires much training, and it could not be an easy matter to make so many dancers move in a unison like this. Particularly difficult part in the dance was that of the fellow with drum stuck to his chest. The movement of feet, action of hands, or bending of knees of those thirty fellows were entirely directed by the tune with which he kept them going. To the spectators this fellow’s part appeared the