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 Only one old friend of the family was absent—Professor Bernard Horn—and Professor Roggenfeldt could not imagine why he had not come. He had intended to send a message to his house, but there had been no time, all the servants and everybody in the house had been very busy.

But Madame Roggenfeldt had been in a nervous and disturbed state all the morning. While the young folks were dancing she sat with her husband on a seat in the garden on the cliff and looked down at the scene below.

The sun was not too bright, the sound of the music was softened by distance, the laughter and chatter of the young people was not heard too loudly, the movements of the dancers were slow and melancholy.

Three Esthonian peasant-musicians in grey felt hats were seated one behind the other with their backs to the sea on stools placed at the edge of a square even space. Their sunburnt faces expressed the zeal of close attention and nothing else. Their sunburnt hands moved exactly and mechanically. And from afar they looked like dolls placed there, parts of a very complicated musical machine.

In front of the players was a music-stand,