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 or a concerto for the message that lay far beneath it, writhing impotently and clamouring for expression.

All this came to him one hot summer's evening as he sat in the Volksgarten staring at the foam in his glass and hearing an orchestra wind its way through the second movement of Beethoven's Seventh Symphony. The suave undulations lulled his mind, drove away all distracting thoughts, and left him a strange clairvoyance. With a numb heart he took stock of his latest disillusionment. Music, the last stronghold of his romanticism, must be abandoned. He must marshal his forces again and seek higher ground. His message, whatever it should prove to be, was not for the casual souls who imbibed music as their bodies imbibed beer. Whatever it was, it was serious—as serious as religion, and of the nature of religion. It might never be manifested to himself, much less to the world. In that case what a fatuous farce life would have been! Better never to have wondered and hoped and ventured. But dignified dumbness was preferable to cheap sound. Rather than turn himself into a public entertainer he would withdraw to some coral island—and live in seclusion.

Suddenly, and for the fourth or fifth time in his life, the world stood still. He had heard a rustling sound beside him and a familiar voice calling, "Paul, Paul!"

Only a fat man with a fat and foody family were near him. But for a moment he had been in the presence of Aunt Verona. The illusion of it was still with him as he rose and made his way between tables and miniature trees. He was thrilled, dazed, unnerved.

Once outside, he found himself in a bog of doubt. The city was a stony waste peopled by the living dead. Aunt Verona, thirty years before, had turned her back on it, and later, from the depths of her retreat, made