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 bedroom window. Slowly, inch by inch, that bedroom window crept down, down. Then, too, the Pools objected to the icy blasts which swept the open stairway and penetrated their hermetically sealed bedrooms below. Often the water in the pitcher on her washstand was frozen when Selina awoke. Her garments, laid out the night before so that their donning next morning might occupy a minimum of time, were mortuary to the touch. Worst of all were the steel-stiffened, unwieldy, and ridiculous stays that encased the female form of that day. As Selina’s numbed fingers struggled with the fastenings of this iciest of garments her ribs shrank from its arctic embrace.

“But I won’t dress behind the kitchen stove!” declared Selina, glaring meanwhile at that hollow pretense, the drum. She even stuck her tongue out at it (only nineteen, remember!). For that matter, it may as well be known that she brought home a piece of chalk from school and sketched a demon face on the drum’s bulging front, giving it a personal and horrid aspect that afforded her much satisfaction.

When she thought back, years later, on that period of her High Prairie experience, stoves seemed to figure with absurd prominence in her memory. That might well be. A stove changed the whole course of her life.

From the first, the schoolhouse stove was her bête noir. Out of the welter of that first year it stood, huge and menacing, a black tyrant. The High Prairie schoolhouse in which Selina taught was a little more