Page:Sixty Phrenological Specimens 1831.pdf/11

11 Reverence, Marvellousness, and Conscientiousness small. No. 49.- A painter, with the organs of Constructiveness, Individuality, Size, Form, Colouring, Ideality, the reflective faculties, Imitation, Marvellousness, Acquisitiveness, Firmness, Conscientiousness, Cautiousness, Tune, and Adhesiveness large; and with those of Combativeness and Destructiveness small. No. 50.- A poet with the organs of Ideality, Tune, Order, Time, Eventuality, Language, Secretiveness, Cautiousness, Love of approbation, and Firmness large; and with those of the reflective faculties, Amativeness, Combativeness, Reference and Hope small. No.51.- A poet with the organs of Ideality, Tune, Time, Eventuality, Mirthfulness, Imitation, Comparison, Alimentiveness, Amativeness, and Self-esteem large; and with those of Reverence, Conscientiousness, Cautiousness, love of approbation, and Adhesiveness small. No. 52.- A poet with the organs of Ideality, Order, Tune, time, the reflective faculties, Marvellousness, Firmness, Cautiousness, Combativeness, Constructiveness, and Love of approbation large; and with those of individuality, Size, Locality, Benevolence; Reference, Hope, Self-esteem and Adhesiveness small. No. 53.- A poet with the organs of Ideality, Tune, Time, Language, Individuality, Form, Size, Eventuality, Comparison, Marvellousness, Firmness, Conscientiousness, Cautiousness, Combativeness, and Destructiveness large; with those of Causality,Mirthfulness, and Secretiveness small, and with the occipital region short. No. 54.- A scientific man, with the organs of Individuality, Eventuality, Language, Secretiveness, Benevolence, Reverence, Firmness, Self-esteem, and Love of approbation large; and with those of the reflective faculties, Ideality, Amativeness, and Adhesiveness small. No. 55.- An erudite, with the organs of the